If you know me, you know I love music.
While I started my photography career early (my first paying job was at age 15), it coexisted with music as a sideline. My parents were music fans, so I was exposed to it early and often growing up. Two years of piano lead to my desire to become a drummer, but my father couldn’t stand the racket of just a snare drum in my room. I eventually ended up on bass guitar; the drummer’s accompanist in “the rhythm section” of a band. Today, I’m married to one of the most incredible singers you’ll ever hear.
Introducing Danny Everitt
From 1970-1973, Danny Everitt was one of my bandmates in Austin. While he soldiered on playing, I took a 20-year hiatus. From day one, Danny gave me the honor of doing photography for his recordings.
Cover of Danny Everitt’s first album in 1981, “Fire Down Inside.”
I also provided the cover for 2007’s “Cold Wind, Cold Rain,” on which I also share co-write credit for the first track, and promo images for 2013’s “Acoustic Souvenir.” However, only recently did I have the opportunity to bring an image that had been percolating in my mind for almost 10 years to fruition.
When Inspiration Strikes “a Chord”
In 2007 I started working for Bob McClaren at his beautiful Angus Beef ranch, 44 Farms, near Cameron, Texas.
Almost immediately, the sight of a lone chimney next to a large stock tank struck my attention. I knew the remnants of a long lost farmhouse (the land has been in Bob’s family a little over 100 years now) would make a great photo. The time to use this scenery finally arrived.
10-Year-Old Vision Realized
When Danny told me about his upcoming music release, “Dream Big,” I knew we needed to take a little road trip.
On October 21 a cold front had pushed through Texas and cleared the air, so Danny, his wife Patrice, and I headed to 44 Farms. My idealized photo would take place at twilight.
While we waited for the sun to creep down, I suggested we make use of the glorious weather to get some shots “in the can.”
In a similar vein as client assignments, I complete the shots as planned, but also try to come up with additional images that may or may not work for the brief.
This afternoon, we started with the sun directly behind Danny. I used a battery powered Alien Bees flash head with a beauty dish to illuminate his front, which would have been in shadow:
Then, as the sun was barely above the horizon during “The Golden Hour,” we shifted to a hillside just behind us where the warm light raked across Danny and the golden grass of a Texas autumn:
Finally, we set up for the shot that I envisioned all along; Danny in front of a fire, strumming his guitar, singing softly, and the sporadic accompaniment of the Angus cattle who occasionally came to drink water from the tank:
For the technically minded, there was a battery-powered head inside the fireplace, with a warming gel to simulate the warmth of a fire. The aforementioned Alien Bees head and beauty dish, with a honeycomb grid, gently opened up the side of the chimney so there would be some detail in it.
I was pleased when we finished, and even more so when I started processing the images back at home. I just knew this would be the perfect wraparound cover for a CD titled “Dream Big.”
Unfortunately, it didn’t make the cut. It WOULD have been the chosen wraparound cover if I hadn’t gone the extra mile to shot other scenarios while waiting for the sun to go down.
May The Best Photo Win
Danny’s wife Patrice, or “Pete” as commonly known; Jack Saunders, Danny’s music producer and engineer; and Houston graphic designer Kenny Ragland, who I had enlisted to create Danny’s CD package, all liked the first setup the best.
This image became the cover of “Dream Big,” the one pictured above with a little post-processing tweaks:
Thankfully, all is well, and my originally envisioned image, with the addition of a real crescent moon judiciously place above the horizon, became the inside spread with plenty of room for CD production credits to be reversed out:
The hillside image is being employed in Danny’s promotional material and his Band Camp page, where you can buy all three recent CD releases:
A Lesson in Inspiration
The lesson I want to impart is that the image you go out to capture may not be the one that ends up being the best or the one that you use. Be open to surprises and inspiration – it’s what keeps the process fresh, and often results in a happy accident.
As an addendum, Danny, most of our old mates from the Austin band (with guitarist Gerry Hailer, from my early 90’s “ad band”), and I did a CD in 1998 to prove that we could still rock and roll. If you’d care to have one, just let me know, I have a few left. We are hoping to finish up our sophomore effort later this year, 17 years after we started it. Stay tuned for more.